The Shure DMK5752 Drum Microphone Package gives you the industry-standard mics you need for an easy, seamless drum kit audio capture. Shure's Beta 52A and a trio of SM57 dynamic microphones are the tools you need to cover your kick drum, your snare, and two toms. The high maximum SPL handling of these babies means they're durable enough for close miking of loud instruments like drums and amplifiers. This pack offers a lot of versatility -- beyond miking up the kit, you'll find these mics are useful in all sorts of recording and live performance situations.
Perhaps no other microphone has made its appearance in recording sessions and live performances as much as the SM57. This popular dynamic microphone has a frequency response of 40 Hz to 15 kHz and a high maximum SPL of 150 dB, making it a great tool to capture midrange instruments like toms, snares, guitar amplifiers -- and they're very popular for live performances for vocals as well.
The SM57's high maximum SPL means it can handle a lot of level before distorting, and its durable darn-near-bulletproof construction makes it a reliable tool for close-miking drums. The SM57 picks up in a cardioid polar pattern and is very directional, minimizing bleed from other drums or cymbals in your kit.
When it's time to mic up the kick drum, you can get low and loud with Shure's up-to-the-task Beta 52A. This dynamic microphone picks up frequencies as low as 20 kHz and has a maximum SPL of 174 dB, so if your drummer has a heavy foot, you don't need to worry about your sonic capture losing any integrity in the recording process. The Beta 52A has a supercardioid polar pattern which results in an increased proximity effect -- a bump in lower frequencies when placed close to the source.
These must-have mics are for more than just drums. The SM57s work great for capturing guitar amplifiers and many midrange instruments. The Beta 52A can also be used to record bass cabinets. All of these microphones perform well for live shows that involve a PA system. Your SM57s even double as vocal microphones for live performances.
Along with your four microphones, this pack includes three AD56 drum mounts that clip securely right onto your drums. No matter how hard you hit your toms or your snare, your SM57s will remain secure, steady, and always ready to capture your drum hits with pristine integrity. Everything included in this pack fits snugly into a silver blue enamel-painted die-cast metal carrying case with a hardened, matte-finished steel grille -- a durable and sleek looking way to carry and store these four stellar microphones.
- One Beta 52A microphone; three SM57 microphones
- Beta 52A has frequency response of 20 Hz to 10 kHz
- SM57 microphones have frequency response of 40 Hz to 15 kHz
- Beta 52A has supercardioid polar pattern; SM57 uses cardioid polar pattern
- Beta 52A for capturing kick drum or amplified bass
- SM57 suitable for drum heads and almost any instrument
- Beta 52A max SPL of 174 dB; SM57 max SPL of 150 dB
- Three AD56 drum mounts included
- Drum mounts and mics come in silver blue enamel-painted die-cast metal carrying case with hardened, matte-finished steel grille
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