Rich redwood and rosewood produce warm tones with stabilizing V-Class bracing support.
Taylor’s rosewood/spruce 700 Series guitars project a bold musical voice with a visual aesthetic that blends rootsy appeal with warm, wood-rich details to give the series a distinctive musical personality. This limited edition model adds a unique and wonderful sonic twist: swapping the Lutz spruce top for sinker redwood. Together with Taylor's V-Class bracing, all of redwood and rosewood’s richness shines through.
These guitars promise to give back to players everything they put in and then some. Appointment details include non-figured koa binding, a 3-ring herringbone-style rosette featuring mirrored, bias-cut Douglas fir with maple/black trim, top edge trim of bias-cut end-grain Douglas fir with maple/black accents, and Taylor's “Reflections” fretboard inlay made of pale green abalone. The guitars come with a deluxe hardshell case made by Taylor for optimal fit and protection.
A Taylor original, the Grand Auditorium helped establish the Taylor acoustic sound. The popular body style makes for a versatile guitar that yields ample volume in response to light fingerpicking, and reacts to medium strumming and flatpicking with a clear, balanced sound across the tonal spectrum. If you want a great all-purpose guitar, the GA is an excellent choice.
Tone Wood Pairing
A player favorite for its origins, sinker redwood soundboards are sliced from huge old-growth redwood logs reclaimed from the depths of Northern California rivers, where they’ve rested in many cases for more than a century. The age and size of these trees translates into a tight grain with nice cross-grain stiffness, so it will tend to have a fairly bold response, with a brilliance complemented by warm overtones similar to cedar. In fact, it’s often characterized around the Taylor factory as "cedar on steroids."
It's great for players who like the warm overtones of cedar with a little extra brightness and headroom. Rosewood produces the strongest bass response among the tone woods commonly used for guitars, with a slightly scooped midrange. Rosewood's sweeping frequency range - deep lows that assert a throaty growl with sparkling highs - rings out with bell-like, high-fidelity clarity. It yields a full-range acoustic voice with complex overtones and extended sustain.
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in.
Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially an "engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience.
Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.
For music you'll love playing for years to come, order today.SPECIFICATIONS Body
- Body type: Taylor Grand Auditorium
- Cutaway: Yes - Venetian
- Top wood: Solid Sinker Redwood
- Back & sides: Solid Rosewood
- Bracing pattern: Taylor V-Class™ Bracing with Relief Rout
- Body finish: Gloss
- Orientation: Right-Handed
- Neck shape: Taylor Standard Profile
- Nut width: 1-3/4" (44.5mm)
- Fingerboard: Genuine West African Ebony
- Neck wood: Tropical Mahogany
- Scale length: 25-1/2"
- Number of frets: 20
- Neck finish: Satin
- Pickup/preamp: Expression System 2 Professional Audio-Grade
- Brand: Taylor
- Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
- Preamp EQ: Volume, Active Bass and Treble
- Feedback filter: Onboard Phase Switch
- Tuner: None
- Headstock overlay: Genuine West African Ebony
- Tuning machines: Taylor nickel tuners with nickel buttons
- Bridge: Genuine West African Ebony
- Saddle & nut: Black Graphite Nut, Micarta "Wave" Saddle
- Number of strings: 6
- Special features:
- Case: Taylor Deluxe Hard Shell Case
- Accessories: None
- Country of origin: USA
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|Condition||Sealed / New|
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